Revived Blog

I'm gradually catching up on my various adventures of the past six months, so please check down the page for new posts!

Sunday 5 November 2006

Karatsu Kunchi

362 days a year, Karatsu is an unexceptional fishing town. It is next to a beautiful pine forest (with a big road through the middle of it), and a lovely beach (facing an industrial plant), and has a large C17th castle (built in 1966). But for the three days of the Karatsu Kunchi, the town shakes off the dust, swaps its work clothes for ceremonial garb, and holds its head up high.













Fourteen floats, each three stories high and several tonnes in weight, are dragged in grand style through the town by hundreds of people. The floats are between 150 and 200 years old, but remain immaculately decorated and in pristine condition.









Given that they are clearly such treasures, it is heartening to see two men perched atop every float, urging the straining crowds onto greater efforts. The two men on top throw a repetitive chant back and forth with each tug of the rope:

"Aye-yar aye-yar aye-yar aye! Aye-yar aye-yar aye-yar aye! Aye-yar aye-yar aye-yar aye!"

They keep that up for three days, waving sticks and lanterns above their heads, trying to keep up the energy of the group. Even at a standstill, they maintain the chant; a matter of pride to be seen to be having more fun than the other groups. For three days, the Sake flows, and the voices grow hoarse, but the shouting doesn't stop.







These are no mere museum exhibits; these are living parts of the town, at once both symbol and participant in the life of the place. Each float represents a different part of town, and is pulled only by people from that area.









Every group wears a distinct, vividly coloured outfit. They range in age from the toddlers placed in the float and kids who lead the procession, through the burly men who manhandle it around the corners, right up to the greying old geezers who follow behind, grumbling about turning circles.









It is essentially quite a simple festival (after all, they are only pushing carts around). But they make sure they squeeze every last drop of interest out of it; pulled at night, pulled during the day; pulled through sand; pulled as fast as possible.

















This is no tourist event; it's a festival with a future. All ages take part, and those kids will be in charge of the floats in decades to come. Its strength comes from the competitive pride it creates between people from different parts of the town, striving to better each other.



Just as with the correfoc and castellers of Barcelona, petty local rivalries are transformed into a positive creative force. No one could create a festival like this from scratch, top down; it needed to grow from its roots to become strong.


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